Selected writing, translation, research

On trucking school // “Lost Highway” // Harper’s (PDF)

On a man, the road, and an underworld // “Nervous Behavior” // 1843 Magazine & Pulitzer Center

On a small town // “An Intersection at the End of America,” a portrait of Dilley, Texas // The Oxford American & Pulitzer Center (PDF) // Here I discuss the project on Points South 

On the road from Wichita to Duluth // “Freeway Ends,” driving I-35 pt. 2 // n+1

On the road from Austin to Wichita // “Land Noises,” driving I-35 during election week // n+1

On reading an early-pandemic empty highway and driving across the desert with my dog // n+1

On the concretization of a symbol and the border wall in progress // The Yale Review and published in the collection A WORLD OUT OF REACH (Yale University Press)

On the northward creep of the border and the road south to deportation // Politico Magazine // Finalist for the Livingston Award in national reporting 

On the bridge between two Laredos // Foreign Affairs & Pulitzer Center

On families in detention, from inside // newyorker.com

On long-haul truckers running I-5 in tight quarters while the world quarantines // Cal Sunday

On Lilian, the boy, their odyssey // The Nation & Pulitzer Center // Here I discuss the project

On Phoenix and a house // CITY BY CITY: DISPATCHES FROM THE AMERICAN METROPOLIS (FSG/n+1)

I translated Yanick Lahens’ novel Bain de lune // Deep Vellum // CMLP Firecracker Award finalist and French Voices Prize winner

On prospective migrants planning the route from Haiti to Brazil // newyorker.com

On Damián Ortega // newyorker.com // Republished in Módulos de construcción (FCE)

On condoms as evidence // The Village Voice

On the commercial sexual exploitation of homeless teens; on the stolen parrot of Claremont; on ankle monitors and surveilled immigrant mothers; on the life and death of Shaaliver Douse (reporting); and other Metro stories // The New York Times

Research: I worked as a fact-checker at the New Yorker and sometimes check books—favorites include Jill Lepore's THIS AMERICA and Lawrence Wright's GOD SAVE TEXAS. I now work as a development researcher on films.





















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